The way I work when it’s street and random subject photography is that I suddenly feel freeze and see space and things as if they were a little grain, for which I go to by taking pictures and compacting it, like winding layers of multi-exposure on a spindle
Sometimes it doesn’t work out, the grain disappointingly escapes me.
But here, I’ve got it.
Blog / Artist’s Diary
Capturing the moment at Tate Modern
and why I think that as curatorial work it’s bullshit
About all the cameras big and small
and why I hardly ever shoot with my Mark anymore
About my old performance
and what we’re actually shooting
English (not yet summer) rain
and how I could not stop filming it
Kusama at Tate Modern
and my big love for her art
Camden Art Centre
my volunteering and two current exhibitions
I translated one of my poems into English
and I have no idea, of course, how well I did it
Baby Reindeer
from the perspective of a lesbian & sexual abuse survivor