A flaming bush. Victoria Dini Art

The way I work when it’s street and random subject photography is that I suddenly feel freeze and see space and things as if they were a little grain, for which I go to by taking pictures and compacting it, like winding layers of multi-exposure on a spindle

Sometimes it doesn’t work out, the grain disappointingly escapes me.

But here, I’ve got it.

A flaming bush. Victoria Dini Art
A flaming bush. Victoria Dini Art
A flaming bush. Victoria Dini Art
A flaming bush. Victoria Dini Art

Blog / Artist’s Diary

A flaming bush. Victoria Dini Art

Capturing the moment at Tate Modern

and why I think that as curatorial work it’s bullshit
A flaming bush. Victoria Dini Art

About all the cameras big and small

and why I hardly ever shoot with my Mark anymore
A flaming bush. Victoria Dini Art

About my old performance

and what we’re actually shooting
A flaming bush. Victoria Dini Art

English (not yet summer) rain

and how I could not stop filming it
A flaming bush. Victoria Dini Art

Kusama at Tate Modern

and my big love for her art
A flaming bush. Victoria Dini Art

Camden Art Centre

my volunteering and two current exhibitions
A flaming bush. Victoria Dini Art

I translated one of my poems into English

and I have no idea, of course, how well I did it
A flaming bush. Victoria Dini Art

Baby Reindeer

from the perspective of a lesbian & sexual abuse survivor