2015-2019, My little big child. Victoria Dini Art

My little big child

I never wanted a baby, but when I was thirty-six, I became a mum. Of a fifteen-year-old teenage girl. I met her by chance, working as a social worker, and I realised there was no choice — I had to pick her up and raise her, because I could see that she was mine. 

She really was mine. In some ways she was very much like me, she also had the artistic personality, and we even share the same orientation — although I only understood and accepted mine gomosexuality after daughter’s coming out, trying to accept her. The stereotype of “homosexual parents have homosexual children” was confirmed in our family, only in reverse.

I became her fourth mother. One of her previous foster mothers had once, in a fit of rage, torn up her childhood photo album with the photos from when she was still in the orphanage. Years later my letters to the orphanage requesting copies were refused. 

During my “maternity leave” I could only take pictures of my daughter (I had no energy for the rest) — and I did it as if it were an alternative album. 

When the children finally find themselves in a safe relationship, it’s as if they defrost and go through the stages of childhood all over again. All the unaccomplished bits and pieces. And all the trauma, of course. That’s why we had in a family a teenage girl and a junior high school girl, and even a baby at the same time, and they were all my 15, 16, 17-year-old kid.

I taught at the same time the rules of safe sex and how to distinguish between vowels and consonants, how to make tea and how to distinguish between feeling hungry and feeling cold, and feelings in general. How to understand your emotions, how to count, how to calm down, how to buy food, all about hygiene and going to the doctor… And a lot of the consequences of trauma, and the ingrained belief “I can’t do anything and it’s not worth trying”, and so on and on and on…

One day at 18, my daughter — her name is Cassia — wrote: “I probably won’t stop pinched in the chest when I look at my childhood photos. I can’t help feeling like my peaceful childhood has been cheekily stolen by someone. I know that a smile in the photo will be followed by a harsh scolding for some prank. I never stop swearing to myself that my children will have the best memories of those years.I have learned to pick myself up… and rock… and pity. I have lived all my years with my mum anew. In short form. I’m learning to forgive. But it’s bloody hard to do. And I can’t stop shrinking, recognising in my gaze the longing found in every system child”. 

Sadly, there is not so much happy ending to this story. At her twenty-one daughter has cut contact with me. It was common to her before, to idealise people, then to flip them into the black; now it’s me in the black for her. Later we talked, but she don’t see me as a family anymore.

I taught her to see, to think for herself, to be creative, to take care of herself and others. I became her fourth mother, but not the last. She prefer to be in a domination lifestyle and now has another mom, the same age as herself. She seems happy about it. 

Can we change something, or should we accept and consider a person’s need to obey if one grew up in an orphanage system where one were bossed around from birth? Is it possible to outgrow attachment to a group? Can anyone give up the concept of blaming everyone and the approach in which the world owes you? 

It is what it is, and it was my motherhood.

— Three texts in Russian of my own authorship that explain something (at least I tried):

My daughter’s three new years. About gifts and orphanages from the inside

Gifts of the Magi

A bridge between darkness and light

(the poem is not translated yet)

новая стрижка дочери

почему с детей невозможно снять копию образа?
техподдержка, ответьте

отпечаток на память, в живом эфире
самое удачное время, самый удачный возраст
выбрать обложку для диалога, поставить мелодию
можно я накачу на тебя эту версию при общении, я так привыкла, мне тут все кнопки подходят

можно отказаться от обновлений

нет нельзя, говорит производитель
обновления автоматические

привыкайте к новому юзабилити
к улучшенной разработке
к проапгрейженной начинке и мощности

тренируйте нейронные сети

в конце концов, такая забота о пользователе

система переходит в режим гибернации. нервные клетки трудятся ежечасно, открывают окно толерантности. 
моют его по старинке,

до прозрачного неба. 

сквозь окно происходит весна и взметывает занавески. 

2015-2019, My little big child. Victoria Dini Art